I'm sure you know this anyway though Anyway, the sample: I can deffinitely hear alternate samples if I program 12 hits in quick succession at the same velocity, all I was trying to say is that even with 100 round robins it wouldn't sound natural because drummers don't play like that. Hey Tod, whipped up a quick sample for you. If you get a chance go ahead and post something. Of course non of this is important if the library sounds really good and it indeed has good dynamics. I know that with Kontakt scripting this can be done. However it is possible to have it set up with a filter system that can sound different, regardless of whether there are any RRs or not. If you play 8 to 12 snare hits fairly rapidly that are all exactly the same velocity and you can't tell the difference then there are no RRs. Hi Stu, actually based on what Ashley said (the way I understand it) is that instead of round robins they're using either filters and/or possibly envelopes to get differences.
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Slate software uses a different approach (anti-machine gun it's called) to accomplish the same thing. The difference is that they aren't technically 'round robins' because all that term means is that it automatically cycles different samples in a given layer. I assure you, there are several round robins for each velocity layer, just like Ashley said.